In the Netherlands, a different bonus disc exists of performances live with the Metropole Orchestra: In Europe, there exists one that has a bonus disc of the Ethan Johns sessions: Ģ. However, there are also 2 different deluxe versions of the album that exist and each has a separate bonus disc.ġ. The US version released a few months later added one track to the end ("Lasan"). The original standard EU version of this album only had 10 tracks (released in March 2012). I would love to know if the sound issue others have is similar to mine. I'm not at home and have not checked the deadwax.
#Michale kiwanuka home again deluxe zippy download
My version says "Made in the EU", has a picture inner sleeve and includes a download code. It is busy days so I'm not sure when this will happen. My plan is to do a proper cleaning, listen a bit to the digital version to compare the vocals, play it again and report the result here.
#Michale kiwanuka home again deluxe zippy full
I tested the very final song again after this and thought it sounded a bit better but I'm not sure if it was because I wanted to hear an improvement so I have yet to do a full new spin.Ĥ) I have not cleaned the record yet except a few rotations with carbon brush on each side.ĥ) This case made me wonder if it is time for a stylus change but I need a bit more research with other records before I conclude that. By playing the record for the first time I noticed a similar distortion even on the more calm songs and I thought it sounded wrong.ģ) I noticed that my turntable was not 100% in level so I made sure to fix that. I have noticed that track 1 (Tell me a tale) have a certain vintage-distortion-effect that is pretty cool even on the version I found on Spotify (mp3 quality). However, there are a few important details I have to add before you consider my example:ġ) My setup is relatively cheap and simple and while many records sounds wonderful I have noticed that it has some limitations for more "demanding" records.Ģ) My critisism in this case is mostly based on the sound of the vocal recording. It is great that you highlight this issue. Despite difficulties, Home Again is a promising debut by an artist who will no doubt deliver big if developed properly.Click to expand.Thurenity. Also, while Kiwanuka is extremely talented, his songwriting needs work some tunes are weighed down by clunky melodic or clumsy lyric turns. Butler's attempt at making a record sound vintage paints by the numbers so carefully that he never gets below a song's surface - despite the emotional intensity in Kiwanuka's voice.
The title track commences with a fingerpicked acoustic guitar, but a Rhodes piano, multi-tracked cellos, and even a doubling of Kiwanuka's vocal brings us into contemporary indie terrain. The blues in "Worry Walks Beside Me" are underscored by a shimmering B-3 just behind a hazy electric guitar and stacked backing vocals. "Bones," with its combination of doo wop backing chorus, brushed hi-hats, and jazzy guitar vamp, finds Kiwanuka in fine yet contrasting world-weary voice. Kiwanuka's voice resembles Terry Callier's closely enough to warrant Butler virtually aping Charles Stepney's production style. Standouts include the opening "Tell Me a Tale," the set's strongest cut.
Kiwanuka and Butler play an astonishing array of instruments here, and are ably assisted by select session players elsewhere. There are very bright moments in this mesh of organic sounds (that are occasionally embellished - very slightly - by Moogs).
A throwback approach is his signature and, considering what Polydor wanted, may actually seem warranted given Kiwanuka's wise-beyond-his-years singing voice and songwriting style. The Bees' Paul Butler produced all but one track here. From the front cover you can see - then hear - how everything about this album and Kiwanuka's image is laser-focused on the retro pop and soul vibe that saturates his country's music scene. Michael Kiwanuka is the promising British singer/songwriter who won the BBC Sound of 2012 poll. These days, the expectations for someone to deliver out of the gate are ridiculous. Some labels even signed "prestige artists," those who wouldn't necessarily make boatloads of cash, but their presence on one's roster would attract those who would. An age ago, major labels signed artists knowing it would take three, four, or even five records before she or he matured sufficiently to build a a dedicated audience.
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